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Jordan Tate
New Work #150 (Gamut Warning), 2012
24 Pigment Prints

Jordan Tate
New Work #150 (p. 2-3), 2012
2 Pigment Prints
22.5 x 15 inches each

Jordan Tate
New Work #150 (p. 4-5), 2012
Pigment Print
22.5 x 30 inches

Jordan Tate
New Work #150 (p. 6-7), 2012
2 Pigment Prints
22.5 x 15 inches each

Jordan Tate
New Work #150 (p. 8-9), 2012
2 Pigment Prints
22.5 x 15 inches each

Jordan Tate
New Work #150 (p. 16-17), 2012
2 Pigment Prints
22.5 x 15 inches each

Jordan Tate
New Work #150 (p. 20-21), 2012
2 Pigment Prints
22.5 x 15 inches each

Jordan Tate
New Work #150 (p. 22-23), 2012
2 Pigment Prints
22.5 x 15 inches each

Jordan Tate
New Work #150 (p. 26-27), 2012
2 Pigment Prints
22.5 x 15 inches each

Jordan Tate
New Work #170, 2013
Pigment print
24 x 36 inches

Jordan Tate
New Work #171, 2013
Pigment print
44 x 81 inches

Jordan Tate
Installation View

Jordan Tate
Installation View

Jordan Tate
Installation View

Jordan Tate
Installation View

Jordan Tate
Installation View

Jordan Tate
Installation View

Jordan Tate
Installation View

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Jordan Tate

Jordan Tate: Gamut Warning

09.14.2013 - 10.20.2013

Jordan Tate’s work represents a shift away from the understanding of photography as mechanical reproduction and an acknowledgement of the image-maker as the mediator of sight. Tate explores process and practice in contemporary visual culture. His work is based in ongoing research/meta-photographic critique concerning the visual and conceptual processes of image comprehension.

The exhibition will include a selection of recent work by Jordan Tate, notably featuring New Work #150 (Gamut Warning), 2012. Gamut Warning consists of three distinct iterations: 24 color photographs, a large-run newsprint artist’s book, and a PDF e-book. He uses the different forms of image delivery to examine how images are created, produced and viewed. His work often focuses on the technologies and physical practice of making photographs. In Gamut Warning, for example, we see lights, color reference cards, human hands setting things up and arranging subjects, color gradients, slide holders and a machine vision camera. The works in the exhibition question the institutional authority behind our understanding of images and suggest that authorship, medium and context, rather than the reality of an image’s referent, have the greatest influence on what we understand from an image.

Jordan Tate (born 1981 in Louisville, Kentucky) is an Assistant Professor of Art at the University of Cincinnati. He has a Bachelor of Philosophy in Interdisciplinary Studies from Miami University and a Master of Fine Arts in Photography from Indiana University. He was a Fulbright Fellow in 2008-2009. Tate’s work is currently held in collections nationwide, including Rhizome at the New Museum, the Museum of Contemporary Photography, The Fred and Laura Bidwell Collection, the Cincinnati Art Museum, the Columbus Museum of Art, and the Museum of Fine Arts, Houston. Recent exhibitions of his works include: Herron School of Art, PH Gallery (UK), Higher Pictures (NYC), The Photographer Gallery (London, UK), and the Museum of Contemporary Art, Cleveland.

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