By: Jeff Gibson
Summer 2017. Vo. 55. No. 10.
Erin O’Keefe, Book of Days @Denny
By Loring Knoblauch, May 1, 2017
JTF (just the facts): A total of 15 color and black and white photographs, framed in white and unmatted, and hung against white walls in the two room gallery space. All of the works are archival pigment prints mounted on museum board, made in 2016 and 2017. Physical sizes are either 20×16,
The Phenomenon of Light and Shadow: A Q&A with Erin O’Keefe
BY TAYLOR DAFOE | APRIL 24, 2017
Picking up in the tradition of still life photographers such as Barbara Kasten and Jan Groover, as well as sculptors like Brancusi and David Smith who used photography to explore the perspectival limitations of their own work, Erin O’Keefe makes pictures that reinvent physical space. She creates sculptures in a sense,
“A Door-Shattering Breakthrough at Denny Gallery’s Pop-Up ‘The City & The City’” by Emily Colucci, July 8, 2016
Nothing underscores the fraught tensions of gentrification quite like the deafening sound of a large glass door shattering behind you. Moments after I entered Denny Gallery’s East Broadway pop-up space this Wednesday, the gallery’s door splintered with a bang and a startling crack. Fragmenting into a wall of
Things As They Are: An Interview with Erin O’Keefe
Posted on May 31, 2016
Danni Shen, Curatorial Fellow in Visual Arts, organizes and interprets exhibitions at Wave Hill.
(Not So) Still Life, on view in Glyndor Gallery through July 4, 2016, presents novel ways that contemporary artists are transforming the still life genre to engage with current culture.
Grounded in the history of photography and in her architectural training,