Justine Hill: Freestanding Reviewed in Art and America

Justine Hill: Freestanding Reviewed in Art and America

Justine Hill at Denny Gallery

By: Elizabeth Buhe

June/July Issue Art in America

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For the eight paintings on view in “Freestanding,” Justine Hill tempered the sense of levity conveyed by her scribbly mark-making, cartoony motifs, and cheerful colors (periwinkle blues, apricot oranges, royal purples) with a measured consideration of form and composition. Tensions between foreground and background animate the paintings, which continue a style of work she
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Justine Hill: Freestanding in artnet

Justine Hill: Freestanding in artnet

From a Cy Twombly Celebration to Imaginary Cowboys: 39 Must-See Gallery Shows in New York This March
It’s time to hit the gallery circuit.

Sarah Cascone & Caroline Goldstein, March 1, 2018

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The editors at artnet News searched New York City high and low for the most exciting, bizarre, and thought-provoking gallery exhibitions this March.

39. “Justine Hill: Freestanding” at Denny Gallery

Justine Hill presents the second exhibition of her “Cutouts” series, unusual multi-panel works
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Justine Hill mentioned as an influencee of Elizabeth Murray in Hyperallergic

Justine Hill mentioned as an influencee of Elizabeth Murray in Hyperallergic

How Graffiti Influenced Elizabeth Murray

Given some historical context, the impact graffiti had on the paintings Murray made during the 1980s is plain to see.

By: Jason Andrew

Posted on: October 25, 2017

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The 1980’s were a bodacious, hellacious, and most radical decade. Mötley Crüe got it right titling the era (and their greatest hits compilation album) the, “Decade of Decadence!” Intertwined with the rise of hip hop culture and a
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