by Cassie Packard, August 31, 2021 Your list of must-see, fun, insightful, and very New York art events this month, including the Armory, Bushwick Open Studios, and the New York Film Festival. Pamela Council: Bury Me Loose Pamela Council, “Red Drink: A BLAXIDERMY Juneteenth Offering” (photo by Ronald Llewellyn Jones, courtesy Denny Dimin Gallery) When: September 10–October 23 Where: Denny Dimin Gallery (39 Lispenard Street, Tribeca, Manhattan) Pamela Council brings together Black vernacular camp, pop culture, horror, and humor in their visceral, ongoing exploration…Read More
In the heart of Carrizozo, Paula Wilson cultivates her art and life. AUG. 18, 2021 BY MOLLY BOYLE / PHOTOS BY GABRIELLA MARKS IF YOU MEET PAULA WILSON AT HER STUDIO during the weekly art event known as MoMAZoZo, you might not actually see her for a while. Art tends to get in the way, along with history, a growing artistic community, and the gorgeously decrepit streetscape in downtown Carrizozo, where US 54 meets US 380, midway between Socorro and Roswell. Though I can’t immediately find…Read More
Artist Pamela Council Is Building a Joyous, Camp ‘Fountain for Survivors’ in Times Square The sculpture will feature close to 400,000 acrylic nails. Sarah Cascone, August 18, 2021 Pamela Council with the model for A Fountain for Survivors in Times Square, New York. Photo by Alex Webster courtesy of Times Square Arts. Artist Pamela Council is building their largest ever “Fountains for Black Joy” sculpture in New York City’s Times Square. The monumental structure will measure 18 feet tall and be…Read More
Denny Dimin Gallery Announces Representation Solo exhibition Bury Me Loose opens at Denny Dimin Gallery on September 10, 2021 Time Square Arts Announces Major Public Installation A Fountain for Survivors Denny Dimin Gallery is honored to announce the representation of artist Pamela Council. A solo exhibition by the artist, Bury Me Loose, will be on view at the New York location from September 10 to October 23, 2021. Times Square Arts will present Council’s immersive public art installation, A Fountain…Read More
Editors’ Picks: 9 Events for Your Art Calendar, From a Talk About Chinatown’s Art and Activism to a Show of Surreal Cat Art Plus, stream in to the Migrant Festival, or see a show of “Fairy Organs.” Artnet News, August 17, 2021 Each week, we search for the most exciting and thought-provoking shows, screenings, and events, both digitally and in-person in the New York area. See our picks from around the world below. (Times are all EST unless otherwise noted.) …Read More
A double pun centers this show: “fringe” might describe an element of fashion ubiquitous to western attire, or else describe something that occurs at the periphery, the edge of a movement. The material itself is indeed found in this group show at Denny Dimin Gallery—along with quilts, crystals, ribbon, cut paper, and more. But the alternate definition applies as well. With a dozen artists on view, “Fringe” documents the contemporary resurgence of interest in the 1970s Pattern and Decoration art…Read More
Must-See Sculpture Park Shows August 5, 2021 A round-up of this year’s best outdoor sculpture exhibitions. “Cross Pollination: Heade, Cole, Church and our Contemporary Moment” Olana State Historic Site and Thomas Cole National Historic Site Catskill and Hudson, New York Through October 31, 2021 Presented jointly at the Thomas Cole Site in Catskill and Frederic Church’s Olana in Hudson, “Cross Pollination: Heade, Cole, Church and our Contemporary Moment” is a collaborative exhibition inspired by the work of painter Martin Johnson Heade…Read More
There’s been a resurgence in recent years of artists using materials like textiles and ceramics in siting domestic settings as creative spaces, a nod to the influence of the 1970s Pattern and Decoration (P & D) art movement. WRITTEN BY: EMILY GOSLING 3 AUGUST 2021 New York-based gallery Denny Dimin Gallery attributes much of this resurgence to the movement’s promotion of female artists and its interest; though it also likely chimes with contemporary practitioners thanks to its place on…Read More
August 2, 2021 By Osman Can Yerebakan Writing wall labels for an exhibition at The Museum of Contemporary Art in Los Angeles in 2016 led to curator Anna Katz’s discovery of an American art movement from 1970s. “After completing a Ph.D. in contemporary art, I was astonished to have never heard of Pattern and Decoration and some of its key artists, such as Kim MacConnel,” she tells Interior Design. The first thing Katz embarked on upon becoming the museum’s in-house curator…Read More
In the early nineteen-seventies, a group of American artists who shared an unironic love of craft, vivid color, and kitsch—rebels against the ornamentation-averse restraint of the Minimalists—became known as the Pattern and Decoration movement (a.k.a. P&D). By the mid-eighties, the initial enthusiasm, mostly in Europe, for the group’s paintings, sculptures, ceramics, and textiles had waned. Individual artists succeeded, but P&D was written off as a footnote that was slightly embarrassing. (And also threatening: it’s no coincidence that the group’s focus…Read More
Fallah had a clear vision that he was going for when creating this artwork for the College. The botanical specimens were chosen by the artist to showcase their connections to the regions of the world from which Cerritos College’s students originate. The jewelry that is shown in the murals represents the common family heirlooms and potential sources of financial aid brought by immigrants and refugees as they travel to new lands. The use of lockets within both murals contain…Read More
Ruling families of the Renaissance, such as the Medici, exerted their influence through political intrigue, war and art, as can be seen in The Met’s presentation of The Medici: Portraits & Politics 1512-1570. American high culture, a construct of large institutions, mostly white, endowed by the wealth of corporate donors, also mostly white, is undergoing a radical shift, as consumers are beginning to exert their power to press for better representation of the publics that make up that body of consumers. Above:…Read More
By Katy Donoghue, July 7, 2021 Amanda Valdez’s “Gratitude” was recently on view at Denny Dimin Gallery in New York (April 2-May 15). The solo exhibition presented a body of new work, showcasing the artist’s recent introduction of weaving into her practice and the surface of the canvas. Integrating the language and histories of textile and painting, Valdez’s abstract works explore color, pattern, shape, and texture. The show’s title refers to the New York-based artist’s years-long practice of writing and sharing gratitude…Read More
The popular practice of reviving ancient and traditional crafts in contemporary art is nothing new; age-old techniques have become ubiquitous across the art market and in museums and galleries alike. The reemergence of such methods has been described as a gesture towards something more certain and tangible in a troubled time, or a means of rejecting the digital in favor of the handmade. The popularity of crafting also signals the shifting away from rigid perceptions of “high” and “low” art forms…Read More
In “Mark and Phil,” this New York artist’s first exhibition at the Denny Dimin gallery, in Tribeca, the digital and the analog overlap in a hallucinatory, cartoony world. Sculptures reminiscent of gloomy emojis (black rainbows, clouds, teardrops) are paired with trompe-l’oeil paintings, at once grand and scrappy, depicting plywood carved with graffiti. The show’s centerpiece is a large, low-hanging mobile of black enamel rods and chains—you might call its style “playground goth”—whose dangling shapes include an L.E.D. light in the…Read More
Michael Mandiberg’s Live Study is a performance that investigates creative labor. A live video stream from Mandiberg’s studio shows the artist painting portraits of the fifty-six people who have worked for them over the last fifteen years. Each canvas is sized according to the total hours worked by the person at one square inch per hour, making visible the usually hidden labor of studio assistants and interns in the art world. The sizes of the canvases range from a 4…Read More
Words by Sabine Hrechdakian Photography by Simon Burstall For most of our history, animals were woven into the fabric of daily life and revered as teachers, tricksters and spirits. While this intrinsic bond still survives in indigenous cultures, pagan traditions and in the imaginations of children, most adults abandon their sense of kinship with other creatures. Thankfully, not artist Dana Sherwood, whose body of work, which includes draw – ing, painting, sculpture, video and installation, resides at the fraught intersection…Read More
CATALOGS AVAILABLE! Exhibition catalogs for Amanda Valdez: Gratitude, an exhibition at Denny Dimin Gallery, New York City, April 2nd – May 15, 2021. Catalog essay by Lisa D. Freiman, Ph.D. Lisa D. Freiman is a professor of art history at Virginia Commonwealth University’s School of the Arts. She also works as an independent curator and art consultant. For over thirty years, she has served in leadership and curatorial roles in the modern and contemporary art field. She was the inaugural…Read More
Fun can take many forms. An end-of-day ice cream ritual. Caring for rescued chickens. A bubble bath for an inanimate friend. Three photographers show us what a good time means to them now. Produced by Jolie Ruben and Amanda Webster / Interviews by Raillan Brooks Sheida Soleimani Sheida Soleimani, a Providence, R.I., photographer, says she began doing “tedious but beautiful work, like picking dandelions from the ground, separating the petals from the calyx and putting them in an airlock-sealed jar with yeast to ferment.”…Read More
We are honored that the Heckscher Museum of Art has acquired New Me (2021), an important new painting by Amanda Valdez. The acquisition comes on the heels of Valdez’s solo exhibition Piecework at the museum in 2020. The exhibition featured nineteen paintings, including some of the artist’s largest, and explored Valdez’s engagement with the histories of abstraction, “women’s work” with fiber, and the museum’s permanent collection. New Me (2021) includes the newest aspects of Valdez’s practice where she creates quilt…Read More
by Katie White | guest editor: Chloe Lane | published 14.04.21 New York-based writer Katie White talked to Wellington artist Ann Shelton about her recent virtual exhibition ‘A Lovers’ Herbal’ at Manhattan’s Denny Dimin Gallery. I called photographer Ann Shelton at her home in Wellington, New Zealand one day in late February 2021. It was 5pm and I was sitting at my kitchen-table-turned-desk in Brooklyn, New York, as the winter sunlight was quickly fading, evaporating into darkness. It was…Read More
By Barbara Ciurej And Lindsay Lochman, April 14, 2021 “Deep in the night we eat. In the shadows, in secret. Feeding the animal, our nature, our dark, shadow-self. Feeding the wild animals in this way creates a ritual space, the dark makes it sacred as well as secretive. Like that piece of cake, gobbled at the sink when no one was looking. It is an offering to the gods of the wilderness, those feral beings who have no truck with shame…Read More
Interior designer Gregory Rockwell crafts a colorful New York City apartment by Hannah Martin / Photography by Ori Harpaz April 14, 2021 “The walls aren’t striped, they’re actually hand-applied fluted Venetian plaster,” says Rockwell, who teamed up with Kamp Studios on this statement for the entryway, which he decorated with a 1960s Italian aluminum mirror from John Salibello and a 1940s Swedish chest of drawers from England, topped with a ceramic work by Cody Hoyt from Patrick Parrish. “This [home] is about you and your friends….Read More
Sheida Soleimani was commissioned by the New York Times to consider what fun looks like now. This image was taken by Soleimani, who said she began doing “tedious but beautiful work, like picking dandelions from the ground, separating the petals from the calyx, and putting them in an airlock-sealed jar with yeast to ferment.” Soleimani started taking film photographs like this one “to document these forays and efforts to explore whatever we were doing one week to another.”
