“Tracing Networks of Political Corruption in Sheida Soleimani’s Slick, Hyper-Stylized Tableaux” by Cassie Packard
The Iranian-American artist invites us into her converted, 19th century barn in Rhode Island, where politically charged installations co-exist with her hobby of rehabilitating injured wildlife.
Shieda Soleimani: Hotbed featured in the New York Times 5 art gallery shows to see. Read more on the New York Times.
Ms. Soleimani’s artworks are analogue, compositions of items arranged in her studio. Their premise, then, is epistemological as much as formal: Much of what we think we know is a distortion or an illusion.
Exhibition catalog for Sheida Soleimani: Hotbed with essay by Jane Ursula Harris.
Sean Fader’s work reviewed by David J. Getsy published in ASAP Journal published by John Hopkins University Press.
Read on ASAP Journal.
Elizabeth Denny’s top picks the Miami Beach fair featured in UNTITLED, ART.
Jeremy Couillard is presenting a new video “Voluntary Associations” with the Daata Fair in Miami, The Bass and the New World Symphony.
Review of Michael Mandiberg’s “The Zoom Paintings” in The Economist.
“As a Black woman artist, I get asked about the political meaning of my work, but I don’t often get asked why it looks the way it does.”
Sheida Soleimani: Hotbed featured in Hyperallergic New York Art Guide for December 2020.
Join us and all the Tribeca Galleries this Saturday, December 5th from 11 to 7 for another Tribeca Gallery Walk.
Erin O’Keefe featured in the Winter Issue of the Paris Review! Check out the portfolio along with an essay by Kate Tarker.
We are pleased to exhibited new work by Amanda Valdez, Jessie Edelman, Justine Hill and Paula Wilson at UNTITLED, ART Miami Beach OVR 2020.
We have selected and spoken to artists living and working in Berlin, Denmark, and New York City to reveal new artistic perspectives that their isolating experience created, taking inspiration from proximity, the feeling of home, the airy and empty cities as well as transforming the now constant digital experiences into tangible pieces.
‘On High’ at Locust Projects in Miami, FL features Paula Wilson’s 2017 video ‘Living Monument.’
As a first gallery solo show in New York, this introduction to Soleimani’s work packs plenty of promising firepower. What’s exciting is that she’s boldly stepped into the fray of making overtly political art, and punched her way through with consistent intelligence and visual wit.
Sheida Soleimani’s latest show comments on the complex political relationship between Iran and the US
Join all the Tribeca Galleries on Saturday, December 5th from 11am-7pm for Tribeca Gallery Day!
For this upcoming exhibition, launching November 12th, the works will be presented in the digital sphere where they were born. The gallery will present the artworks on a public Zoom every day through the run of the show.
Speaking truth to the crises that define relations between Iran and the United States, Soleimani superimposes source imagery onto sculptural backdrops to reflect and critique hot-button issues such as demands for reparations, sanctions on trade and resources, and the “crude” history of the petroleum industry.
Join us over Zoom for a celebratory opening conversation of the exhibition, Sheida Soleimani: Hotbed. The online event will include a walkthrough, discussion of the work, and Q & A.
Matt Mignanelli: Between Nature & Structure ~ a Public Art Installation at Five Bryant Park.
The ICA San José presents The Façade Project with a major mural commission from Amir H. Fallah and opens its doors to become an Official Vote Center for November 2020 election.
