Creatures of the Fire (2020) by Paula Wilson was acquired by the Colby College Museum of Art in Waterville, Maine, in anticipation of her upcoming two-person exhibition Ashley Bryan | Paula Wilson: Take the World Into Your Arms in 2023.
Sean Fader’s project Insufficient Memory was acquired by the Buffalo AKG Art Museum (formerly the Albright-Knox Art Gallery), Buffalo, New York following his participation in the acclaimed group exhibition Difference Machines: Technology and Identity in Contemporary Art (2021-2022).
It’s “back to school” for the art world—here’s a guide to the best openings on tap this week.
Lo’s practice is at once deeply connected to Sangwoodgoon while working beyond its context, using farming to think through alternatives to repressive governance and the relationships between people and nature.
Plein Air, guest curated by Aurora Tang, brings together seven artists who use their environments as subject, medium, or setting.
Dana Sherwood’s Solo Museum Exhibition at Florence Griswold Museum.
The artist’s home and studio in Providence, R.I., is, among other things, a wildlife clinic.
Sean Fader’s New Press
Ann Shelton’s photographic series, an invi-tation to dance, sees eight flowers immaculately presented—staged.
Sherwood discusses her current show ‘The Cake Eaters.’ Talking about what you see in the show, where the ideas came from and the many previous projects and travels that have allowed the work to evolve.
In their film Postmodern Times (2017), Michael Mandiberg recre-ates Charlie Chaplin’s Modern Times (1936) shot by shot using free-lancers employed via the digital labor platform Fiverr.
We’re delighted that Aimee Man has joined Denny Dimin Gallery as Associate Director as we grow our presence in Hong Kong.
In Plein Air at MOCA Tucson, artists challenge norms in paintings, installations, and video works that confront the white gaze that privileges colonizer culture and systems of oppression.
Sheida Soleimani in the Boston Art Review
Galleries in Wong Chuk Hang and the greater Southside district continue to mount some of the city’s most interesting exhibitions, from both international and local artists.
RTHK’ s The Works focuses on Hong Kong’s arts and cultural scene.
Amir H. Fallah joins advisor Adam Green on the ArtTactic podcast to discuss the value of long-term relationships and patience in navigating the art world.
The managing director of the art appraisal and advisory firm the Winston Art Group discusses her latest buys and the best collecting advice she’s received including Stephen Thorpe and Amir H. Fallah.
What if our lives could be as thoroughly designed and ordered as the interior of an aquarium?
The exhibition opens with Michael Mandiberg’s ‘Print Wikipedia’ installation, a striking visualisation of the decentralised knowledge sharing project Wikipedia.
At NADA, the sort of digital artworks that were so noticeably absent from other fairs were on display at booths like Denny Dimin Gallery’s, which featured computers playing Jeremy Couillard’s video game/video art piece Fuzz Dungeon on loop alongside paintings of old-school arcade consoles by Stephen Thorpe.
Stephen Thorpe’s paintings of vultures and vintage gaming cabinets chatted with Jeremy Couillard’s digital artworks, from a game of his own design to deconstructed consoles and colorful 2D works like circuit boards.
“We thought of it as a counter to the NFT world,” Robert Dimin said of the gallery’s presentation, which included a video game by Couillard with paintings of old-school video game consoles by Thorpe.
The British painter Stephen Thorpe and the American digital artist Jeremy Couillard have collaborated to create an environment suggestive of a video game arcade
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